Post by goldenfist on Dec 18, 2008 11:02:18 GMT -5
Ign.com reviews Mighty Avengers #20(the last issue of Bendis)
I suspect many readers were disappointed when the death of founding Avengers the Wasp was delivered in a passive, glossed-over way in the pages of Secret Invasion #8. I know I was. The character gets a nice chunk of attention in Mighty Avengers #20, an issue that serves equally as Wasp's funeral and Hank Pym's reintroduction into the Marvel Universe.
The issue is much more Hank Pym's, of course. There's currently a big question mark hanging over the heads of the characters abducted by the Skrulls, and this issue is the first place we see one of them reintegrated into the contemporary Marvel Universe (a Captain America parallel highlighted not-so-subtly by a flashback to his unfreezing in the Silver Age). Funerals in the Marvel U. have a way of being, shall we say, a bit more eventful than real-world ones, and Janet Van Dyne's is no different. It's an emotionally-charged scene, and while it's certainly not a new idea, for some reason it struck me harder than the outbursts have before. All things considered, Yellowjacket is a much deeper and more likable character after Secret Invasion, and Mighty #20 demonstrates why.
While it's a W in the win column for Hank, Janet doesn't do as well. Bendis seems to have a bad reputation among longtime Avengers fans for his characterization of the Wasp, and in this issue I can see why. Her life (as documented in this issue) is bookended by the two clich?s that haunt her. In the Cap flashback, her reaction to the real Captain America being alive is to sew him a new costume. And in her final scene before her death, she's ragging on Hank about moving to England after the events of "Avengers: Disassembled." So the highlights of her life according to Bendis, then, are being a fashion-conscious ditz and the wife from hell. These concepts as opposed to founding the Avengers, or rising to the role of leader of the team. I'm not a giant Wasp fan by any means, but I can certainly see more than a few of them getting upset at this portrayal.
Mighty #20 boasts three artists: Lee Weeks turns in an early Hank/Jan flashback sequence, Jim Cheung handles a five-page sequence where Carol Danvers wordlessly catches Hank up on what's happened since he was abducted, and Carlo Pagulayan tackles everything in between. All three artists do a spectacular job, even if Pagulayan stumbles a bit in the closing pages. I had trouble telling characters apart, since they were all dressed alike and their faces are relatively the same. Cheung's sequence is especially of note this issue: it's a beautiful set of one-page pin-ups that masterfully detail both the events of House of M, Civil War, Planet Hulk, and Captain America #25, as well as Carol and Hank's emotional reaction to the events.
The thing about a book like Mighty #20 that makes it so hard to grade is that there are very clear, defined peaks and valleys. Bendis's handling of Hank Pym is as solid as they come, but to me his Janet portrayal is a little less than respectful. Perhaps it's being saved for the Requiem one-shot down the line, but it comes off as a misstep. Your enjoyment of the issue may depend on which character you find yourself caring about more.
Review Score: 7.4 Decent
I suspect many readers were disappointed when the death of founding Avengers the Wasp was delivered in a passive, glossed-over way in the pages of Secret Invasion #8. I know I was. The character gets a nice chunk of attention in Mighty Avengers #20, an issue that serves equally as Wasp's funeral and Hank Pym's reintroduction into the Marvel Universe.
The issue is much more Hank Pym's, of course. There's currently a big question mark hanging over the heads of the characters abducted by the Skrulls, and this issue is the first place we see one of them reintegrated into the contemporary Marvel Universe (a Captain America parallel highlighted not-so-subtly by a flashback to his unfreezing in the Silver Age). Funerals in the Marvel U. have a way of being, shall we say, a bit more eventful than real-world ones, and Janet Van Dyne's is no different. It's an emotionally-charged scene, and while it's certainly not a new idea, for some reason it struck me harder than the outbursts have before. All things considered, Yellowjacket is a much deeper and more likable character after Secret Invasion, and Mighty #20 demonstrates why.
While it's a W in the win column for Hank, Janet doesn't do as well. Bendis seems to have a bad reputation among longtime Avengers fans for his characterization of the Wasp, and in this issue I can see why. Her life (as documented in this issue) is bookended by the two clich?s that haunt her. In the Cap flashback, her reaction to the real Captain America being alive is to sew him a new costume. And in her final scene before her death, she's ragging on Hank about moving to England after the events of "Avengers: Disassembled." So the highlights of her life according to Bendis, then, are being a fashion-conscious ditz and the wife from hell. These concepts as opposed to founding the Avengers, or rising to the role of leader of the team. I'm not a giant Wasp fan by any means, but I can certainly see more than a few of them getting upset at this portrayal.
Mighty #20 boasts three artists: Lee Weeks turns in an early Hank/Jan flashback sequence, Jim Cheung handles a five-page sequence where Carol Danvers wordlessly catches Hank up on what's happened since he was abducted, and Carlo Pagulayan tackles everything in between. All three artists do a spectacular job, even if Pagulayan stumbles a bit in the closing pages. I had trouble telling characters apart, since they were all dressed alike and their faces are relatively the same. Cheung's sequence is especially of note this issue: it's a beautiful set of one-page pin-ups that masterfully detail both the events of House of M, Civil War, Planet Hulk, and Captain America #25, as well as Carol and Hank's emotional reaction to the events.
The thing about a book like Mighty #20 that makes it so hard to grade is that there are very clear, defined peaks and valleys. Bendis's handling of Hank Pym is as solid as they come, but to me his Janet portrayal is a little less than respectful. Perhaps it's being saved for the Requiem one-shot down the line, but it comes off as a misstep. Your enjoyment of the issue may depend on which character you find yourself caring about more.
Review Score: 7.4 Decent